Social Marketing

Read this article, which discusses achieving marketing success by emotionally connecting customers to products, piquing the interest of target media, and creating a media hook through innovation rather than imitation.

The role of communications and branding in social marketing programmes

An integrated marketing communications framework

With a wide range of communications channels available to social marketers it is crucial that these deliver consistent messages. Belch and Belch describe the move towards integrated marketing communications (IMC) as one of the most significant marketing developments of the 1990s. They explain that a fundamental reason for this is the recognition by businesses of 'the value of strategically integrating the various communication functions rather than having them operate autonomously'.

They adopt the American Association of Advertising Agencies definition of IMC:

… a concept of marketing communications planning that recognises the added value of a comprehensive plan that evaluates the strategic roles of a variety of communication disciplines – for example, general advertising, direct response, sales promotion and public relations – and combines these disciplines to provide clarity, consistency and maximum communications impact.

The basis of this plan is illustrated in Figure 6.


Figure 6 An integrated marketing communications planning model

 

The integrated marketing communications programme is developed by reference to a number of factors, i.e.

  • The overall marketing plan, including marketing objectives and competitor analysis.

  • The promotional programme situation, e.g. internally – previous experience and ability with respect to promotions – and externally – consumer behaviour analysis, segmentation, targeting and positioning decisions.

  • Communications process analysis – e.g. communication goals, receiver's response processes, source, message and channel factors.

Finally, the available budget and decisions with respect to budget allocation will input into the planning process.

Figure 6 illustrates six main approaches to marketing communications. We will now look at these in turn with respect to social marketing communications.

1. Advertising

Advertising can be defined as 'any paid form of non-personal communication about an organisation, product, service or idea by an identified sponsor'.

Advertising decisions include those relating to:

  • The use of the various media (TV, radio, newspapers, magazines).

  • How advertising can be developed for a specific target audience.

  • The use of rational and/or emotional appeals; in particular the use of fear appeals to transmit messages.


Activity 7

Read the section of Chapter 5, Social Marketing: Why should the Devil have all the best tunes? (linked below), and try Exercise 5.2.

Click the link below to open the section of Chapter 5. (6 pages, 1597KB)


Fear messages in marketing

Given what we have agreed about the two-way nature of communication and the need for empathy and shared understanding, it seems inappropriate to ask generic questions about whether certain sorts of messages work

better than others. The answer is bound to be 'it depends' - on circumstances, past communications, available channels and so on. Above all, it depends on the audience. And yet precisely this question has been asked again and again about fear messages.

Thus, several attempts have been made to develop a theory to explain and predict how fear works, but the results are inconclusive. Three alternative models have emerged. First, the curvilinear model posits that fear can persuade up to a threshold of tolerance, beyond which it becomes counterproductive.

Second, Leventhal's parallel response model proposes that emotional and cognitive factors act independently to mediate behaviour, with emotional factors affecting internal attempts to cope with the threat (e.g. by rationalizing or rejecting it), whilst cognitive factors will determine the behaviour change.

Finally, Rogers's expectancy-valence model states that the effectiveness of a fear-arousing communication is a function of three variables: the magnitude of the threat; the probability of its occurrence; and the efficacy of the advocated protective response. It is proposed that these three variables will interact to produce a level of 'protection motivation' within an individual and that this will determine the level of change.

The research into the effectiveness of fear appeals is inconclusive, but the majority of studies show a positive relationship between fear arousal and persuasion. More specifically, the following conclusions have been drawn:

Fear appeals can raise awareness of an issue and bring it to the forefront of people's thoughts.

Fear appeals can make people re-evaluate and change their attitudes Fear may be successful in stimulating an intention to change behaviour sometime in the future.

In summary, therefore, whilst the findings do vary considerably between studies, broadly speaking it is true to say that the research supports the use of fear appeals. The problem, however, is that the research has been very narrowly focused, typically using experiments in laboratory settings, to ask very specific and short-term questions. As we have seen, the resulting answers can, with some difficulty, be resolved into a coherent picture, but many other questions are left begging. Most importantly, it is not clear what happens outside the laboratory, where there is much less control, or what the long-term and wider effects of fear appeals are.

In some cases immediate behaviour change takes place shortly after exposure to a fear communication.

Marketing provides a rubric for asking these bigger questions. Have a try at Exercise 5.2.


Exercise 5.2

Fear in traffic safety

You have just been appointed as Head of Communications at the Transport Accident Commission in Victoria, Australia. They have used fear messages consistently for the last 15 years. Log on to their website (http://www.tacsafety.com.au) and click on 'Campaigns' followed by any of the campaign topics to view some of the road safety ads. As a social marketer, what questions does their approach raise? You might like to consider the following more specific questions:


(a) What will our clients do with the message?

Outside the laboratory, audiences can choose whether or not to accept our messages; they cannot be compelled to pay attention any more than they can be compelled to drive safely or give up smoking. This creates several potential barriers: the audience may not look at the message at all; they may look at it, but ignore it; they may look at it and accept it, but misunderstand it; they may look at it and understand it, but rationalize it (e.g. 'that couldn't happen to m^{\prime} ' 'there are other greater risks' or simply 'life is risky'). All of these barriers - especially the last - can be accentuated by fear appeals (look at point 1 in Box 5.2). In a world where mass media messages are an optional extra, it may make more sense to use subtlety and compromise than brute force.

At a more fundamental level, it is arguable that campaigns employing extreme fear appeals, such as those used in Victoria by the Transport Accident Commission (Exercise 5.2), undermine the whole notion of voluntary behaviour. The ads literally say accept our message or 'you're a bloody idiot'. The danger is that people will reject such uncompromising approaches, or like characters in David Cronenberg's movie Crash, even do the opposite of what is proposed. This latter response is not as far-fetched as it may sound. Recent focus groups conducted at the Institute for Social Marketing suggested that certain young men enjoy gory road safety ads in the same way as horror movies: 'that was a cracker that one', 'that's brilliant that, when you saw her face get smashed up', 'really clever', 'and you hear it go bang, crack!'. Social change practitioners would no doubt be appalled to discover they are competing with violent pornographers!


(b) What benefits will they get from it?

Voluntary behaviour is benefit driven, so paying attention to mass media messages, just like buying Coca-Cola or driving safely, must provide the target with something they want. As Barry Day, vice-chair of McCannErickson Worldwide, expressed it: 'I believe an ad should be a reward.' The question then is 'what reward does a fear appeal offer?' and, by extension, is being upset, scared and/or discomfited much of a reward?


(c) How will it affect our brand name?

Coca-Cola, Nike and Marlboro will all be very careful to ensure that any ads they produce not only work effectively in their own right, but also enhance or (at the very least) do no damage to the company and the product's good name - typically encapsulated in the brand. Most successful brands are the result of decades of careful effort and design.

Social marketing organizations have their equivalents of brands; they have an image and reputation with the public. The question then is how do fear appeals affect this reputation? Do claims that are felt to be exaggerated, or at least not to reflect people's everyday experience, discredit the communicator?

Do messages that cause short-term offence, but which might be justified by high awareness figures, do long-term damage to the sender's good name?


(d) How will it affect their feelings for our other products?

Fear messages say something about the absolute risk of the behaviour being addressed, but also imply things about the relative risk of other behaviours. Take traffic safety as an example: a very fearful anti-drink campaign may lead audiences to assume that other driving behaviours, such as speeding, are less dangerous. Focus groups with young drivers conducted recently at the University of Wollongong in New South Wales (see Box 5.2) showed that whilst drink-driving and speeding were recognized as risky behaviours, others such as driving at night and driving whilst under the influence of marijuana were not. Indeed, some respondents interpreted the constant messaging on drink-driving as implicitly endorsing the alternative of marijuana use. The option of extending the traffic topics addressed by fear messages to cover all potential risks is equally problematic. It would likely lead to overload and rationalization: T know the roads are dangerous, but I have to get on with my life.'

Box 5.2 Young Australian drivers and the use of fear Focus groups with young (18- to 24-year-old) drivers conducted recently at the University of Wollongong in New South Wales revealed worrying tendencies in their response to fear-based messages. The discussions examined response to ads they had seen on television in the last few months and years, which had been dominated by hard-hitting messages on drink-driving and speeding. Three findings stand out:

1. The young drivers were becoming inured to fear messages and numerous comments were made about being tired of being told what to do and that speeding and drink-driving are dangerous.

'The ads are all the same, can't speed, can't drink and drive or you will crash - so what? Everyone knows that... they don't stop me.'

(male, 18)

'Ever since I can remember the ads have been about what happens when you speed... I stopped taking any notice of them ages ago.'

(female, 21)

'The ads are silly, the latest ad shows a guy crashing this big powerful car after speeding and killing people, then right after is an ad for the same car showing these young guys enjoying themselves in it... I just turn off from the anti-speeding ads now.'

(male, 23)

2. Other risky driving behaviours such as driving at night or with lots of friends in the car were not even on their radar. As long as they did not speed or drink they felt they were okay.

'I guess other things are dangerous but not as bad as speeding and drink-driving.'

(male, 17)

'I don't think there is a problem if you have four or five of your mates in the car with you.'

(male, 18)

'No one has said that driving at night is more dangerous than driving at daytime... have they?'

(female, 22)

3. Dysfunctional solutions emerged from the narrow focus on alcohol - most notably, the less well educated of the young people were inclined to see no problem with marijuana use and driving. The broader idea of mind-altering substances in general impairing driving had been lost.

'Smoking some weed then driving home isn't as dangerous as having a heap of beers at a party.'

(female, 17)

'When I go out and if I'm driving and I had a choice between dope and alcohol then it's a no brainer... you're safer with the dope.'

(male, 20)

'I have a friend and he thinks his driving improves when he has had some herb.'

(male, 24)


It is also worth remembering that road use is only one source of danger in people's life (and danger is only one source of problems). For example, tobacco use kills more people in Europe than traffic, crime, and accidents in the home and workplace combined.

Fear messages need to reflect this reality, if only for ethical reasons.


(e) What about our non-targets who will also see the message?

Targeting is an important aspect of marketing: only well-targeted products and messages can really satisfy customer needs. However, messages transmitted in the mass media will inevitably reach other people as well as the intended target. Sticking with road safety, TV ads aimed at 18- to 24-year-old 'boy racers' will also reach older drivers. The use of fear in these circumstances can have two untoward effects. First, it may breed complacency among older speeding drivers by implying that deaths on the roads are the fault of other inexperienced and unskilled drivers. Second, it may cause unwarranted anxiety among other road users, perhaps discouraging parents from letting their children play outside or walk to school.


(f) What are our competitors doing?

As we will discuss in Chapter 8, social marketers frequently have to compete with commerce. Tobacco, alcohol, fast-food, car producers - amongst others - frequently push in the opposite direction. Even a cursory look at their advertising shows that they make relatively little use of fear.


(g) Where do we go from here?

Fear appeals present both creative and strategic problems. On the creative front, once fear has been used, there is a need to increase it on each subsequent occasion to have the same impact. At what point does this cross the threshold of acceptability? On the other hand, is there a point at which Turning to strategy, if marketing tells us that success is dependent on building long-term relationships with the customer, the strategic question becomes: is fear a good basis for a relationship? Fven parents rapidly abandon it as a pedagogical option as their offspring leave early childhood.
people become inured? (Have another look at Box 5.2.)


(h) What about alternative approaches?

It is clear then that fear approaches present considerable costs to social marketers. The main benefit it offers is a high profile: strong emotional messages attract a lot of attention. But other approaches can also have a strong emotional pull - love, excitement, sex, hope, humour and sophistication are all used successfully by commercial advertisers. The key issue therefore is not 'should fear appeals be used?' but 'will they do the job

better and more efficiently than alternative approaches?'


(i) Is our message ethically acceptable?

The final question a marketer will ask (or be compelled to ask by the relevant regulatory authorities) is 'do our messages meet normal ethical standards?' Will people be hurt or damaged by them? The fact that we social marketers tend to fight on the side of the angels does not absolve us from this responsibility. The end cannot be used to justify the means.


2. Sales promotion

Whereas advertising is traditionally associated with long term brand building and can reach a wide audience, particularly with the growth in global media, sales promotion is more often considered a short-term approach to generating sales. Promotional tools include introductory offers, competitions and point of sale promotions. These approaches can be readily associated with commercial sector organisations, for example, Boots (a UK retail chemist chain) uses in-store posters to promote the benefits of stopping smoking.


3. Public relations/publicity

Similar to advertising, publicity is a non-personal form of communication, but here there is no direct payment and no identifiable sponsor. Consequently publicity may also be negative, or adverse, since the organisation, group or individual may not be able to control it. For social marketers, publicity, negative and positive, often arises in the media as a result of scientific reports dealing with issues such as childhood obesity or environmental pollution. 'Media advocacy', which is a term derived from public health, refers to situations where the media are encouraged to cover particular issues and consequently communicate these to the public and/or specific target markets.


4. Personal selling

In the previous section, we looked at the wide range of stakeholders who are involved in social marketing programmes. These include a number of individuals and organisations who will be responsible for providing information and communicating with target audiences. As with all communication there is an issue of source credibility, and the credence which consumers, or potential consumers, give to a particular source is of paramount importance. The role of (health) professionals in many social marketing campaigns is an important one.


5. Direct marketing

This involves direct selling, direct response advertising, telemarketing, etc. and is a rapidly growing medium in the commercial world. A particular reason for this is the growth in use of the internet as discussed below.


6. Interactive/internet marketing

Fill describes the internet as 'a distribution channel and communications medium that enables consumers and organisations to communicate in radically different ways'. Improvements in technology have dramatically changed the nature of communications and the ways of reaching target markets. This is particularly true of younger consumers which many social marketing programmes seek to target. The use of the internet as a complementary channel to television and other media was adopted in the UK in the 'Get Unhooked' smoking cessation campaign.

 

The communications mix – a few points to note

The above classification raises a few points which it may be useful to bear in mind:

  • Communication tools change over time and particularly as a result of technological developments.

  • Related to the above point is a blurring of distinction between 'promotion' and 'place' (method of distribution). This is particularly true as direct marketing and subsequently internet/interactive marketing have been included as separate communications tools. It is also relevant to the personal selling element.

  • It is also notable that, in addition to target markets of final consumers, communications (in addition to other marketing mix elements) must be developed for distributors (e.g. health professionals). This is often referred to as 'push' promotion as opposed to the 'pull' promotion to the final customer.