Because it enables artists to replicate and reproduce many copies of reality, photography lends itself to reporting on human events via photojournalism. Read this text to learn more.

The news industry changed fundamentally with the invention of the photograph. Although pictures were taken of newsworthy stories as early as the 1850s, the photograph needed to be translated into an engraving before being printed in a newspaper. It was not until the turn of the 19th century that newspaper presses could copy original photographs. Photos from around the world appeared on the front pages of newspapers, defining and illustrating stories. The world became smaller as this early mass medium gave people access to up-to-date information…with pictures!

Photojournalism is a particular form of journalism that creates images to tell a news story and is defined by these three elements:

  • Timeliness: the images have meaning in the context of a recently published record of events.
  • Objectivity: the situation implied by the images is a fair and accurate representation of the events they depict in both content and tone.
  • Narrative: the images combine with other news elements to make facts relatable to the viewer or reader on a cultural level.

As visual information, news images help shape our perception of reality and the context surrounding them.

Photographs taken by Mathew Brady, Timothy O'Sullivan, and other photographers during the American Civil War gave sobering witness to the carnage it produced. Images of soldiers killed in the field help people realize the human toll of war and desensitize their ideas of battle as being particularly heroic.

Conf dead Chancellorsville

Confederate Dead, Chancellorsville

Sometimes soldiers themselves take photographs on the battlefield. In the picture below, Robert F. Sargent, a Chief Photographer's Mate in the U.S. Coast Guard, gives an eyewitness visual account of Allied troops coming ashore in France on D-Day, 1944.

Robert F. Sargent, 'Landing Craft at Omaha Beach', June 6, 1944. Black and White photograph. United States Coast Guard photo

Robert F. Sargent, Landing Craft at Omaha Beach, June 6, 1944, black and White photograph. United States Coast Guard photo

Photojournalism's "Golden Age" took place between 1930 and 1950, coinciding with advances in radio and television.

Margaret Bourke-White's photographs helped define the standards of photojournalism. Her work with Life magazine and as the first female war correspondent in Europe produced indelible images of the rise of industry, the effects of the Dust Bowl, the Great Depression, and World War II. Ammonia Storage Tanks (1930) shows masterful composition as she gets four massive tanks into the picture. The shadows, industrial grids of metalwork, and the inclusion of figures at the top for an indication of scale make a powerful visual statement about the modern industrial landscape. One of her later photographs, A Mile Underground, Kimberly Diamond Mine, South Africa, from 1950, frames two Black mine workers staring back at the camera lens, their heads high with looks of resigned determination on their faces.

Dorothea Lange was employed by the federal government's Farm Security Administration to document the plight of migrant workers and families dislocated by the Dust Bowl and the Great Depression In America during the 1930s. Migrant Mother, Nipomo Valley, California, is an iconic image of its hardships and the human resolve to survive. Like O'Sullivan's civil war photos, Lange's picture puts a face on human tragedy. Photographs like this helped win continued support for President Franklin Roosevelt's social aid programs.

Photojournalism does not always find the story in faraway places. More often, it is in the urban settings of big cities. Weegee (born Arthur Fellig) made a living as a ubiquitous news photographer on the streets of New York City. He documented the sensational, from murders to entertainment, and kept a police radio in his car to be the first on the scene of the action. His photo Simply Add Boiling Water from 1937 shows the Hygrade frankfurter building in flames while firemen spray water into it. The photo's title is ironic and taken from the sign across the center of the building.

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Source: Christopher Gildow,
Creative Commons License This work is licensed under a Creative Commons Attribution 3.0 License.

Last modified: Wednesday, February 14, 2024, 4:04 PM